I have now added a video player so we can start showing off my TV work. There are some successful commissions along side pitches for TV adverts available to view. I am also going to add some snippets from the upcoming simonsound album and a blast from the past montage of early music that I produced for labels like Skint, Magnetic North, Bush and Deconstruction.
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Would have been more appealing to me to hear more of the character of the car in the sound rather than just trying to replicate traditional instruments. It almost makes the instruments in the ad little more than props, and as Bill Milbrodt says in his CDM interview, it would have been cheaper to do it with a real orchestra. I think overall it is the right sound for Ford. I don’t think Musique Concrete is a particularly good fit for their brand. See the extended ad here.
In other news I put the finishing touches to Expo 67 - a radiophonic collage. Not sure of broadcast dates yet but I’ll keep you posted and we’ll probably post a MP3 early in 2008. The collage was created by Ian Helliwell and I supplied post production and sound design services. Heres to more interesting sound and music projects in 2008. Happy New Year. A story of weird science, strange events and even stranger beliefs, set in an age when the possibilities for human development seemed almost limitless, Welcome to Mars offers a fascinating, detailed chronology of where it all went wrong. On the 29th of September I’ll be performing a live sound track to the 1920’s film ‘The Cabinet of Dr Caligari’ as part of the Radio Reverb Orchestra. The 20 plus strong orchestra will be conducted by The Radio Reverb Orchestra event takes place at the Duke of Yorks cinema on the 29th of September at 23.00. UPDATE: I went along to the first (and only) pre show meeting last night where I found out a bit more about the event.
My favorite image however is ‘Hearing the Newspaper’ which shows a couple sitting down to listen to the daily news on a gramophone. I guess you could say that this is one of the few predictions that came true as many national papers now offer podcasts. And talking of podcasts, even though it hasn’t been implemented yet, it won’t be long till the new iPods are capable of downloading them wirelessly. This is great news for podcasting as anything that simplifies the process of finding and downloading can only make it more accessible to a wider audience.
As soon as I get my hands on one I will let you know all the details. I’m sure there will be some news from the main launches in London and Manchester somewhere on the web over the next 24hrs. Thanks to Curtis for the photo.
Update: Official Tenori On website is now live. Some cool videos of the different modes, interviews with musicians and all the specs confirmed (no infra red). I also heard from a friend who is performing at the Manchester launch today. He’s had a Tenori On since last week and confirms that it is easy to use, immediate, spontaneous and great visually.
Percy Grainger was a Australian composer born in 1882. His work was inspired by folk music and featured traditional tonality, gliding intervals, polyrhythms and electronic instruments. Free Music was his attempt to break free of the traditional way of scoring using graphical notation. The central idea of Free Music is the gliding tone. |
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