Friend and colleague Lance Dann won Gold in the best producer category at the Audible Audio Production Awards last night. Here is what the judges had to say about the series that I contributed music to and was lead sound designer on. It is really exciting to see adventurous audio drama getting recognised.
Quite excited to report that Lance Dann's Blood Culture podcast has been nominated in the BBC Radio Drama Awards in the Best Online or Podcast Drama category. This time last year the team were in the studio in Brighton recording the performances of the fantastic cast. I recorded many of those performances, sound designed and mixed 2 episodes and provided music throughout the series.
Looking forward to series 2.
A very enjoyable performance surrounded by beautiful slide projections - the Further team setup over 20 projectors covering every wall with visuals, and Sculpture blew everybody's minds with their live zoetrope and tape loop set. I'll share a video of my performance when I get a chance to edit it! Thanks to everybody that worked so hard to make the evening so successful.
I use these sheets to keep track of settings on my Buchla synthesizer. This one is for my upcoming show at Further on the 18th November. For those that are new to modular synths, they are different to modern synthesizers where everything is hardwired inside. A modular synthesizer is made up of different modules all with different roles. It won't make a sound until the right connections are made. This flexible architecture provides almost endless possibilities for sound design and musical timbres.
I'm busy preparing material on the Buchla Electric Music Box for the upcoming performance at Further on the 18th November. I'm going to be sharing little snippets of that preparation as I go along with Pete Williams (Further) providing some brilliant visuals. This is the first clip - Further Away.
I'm performing a live Buchla Electric Music Box set in London on the 18th November. Thrilled to be invited to play alongside Sculpture who project mind bending live zoetrope visuals alongside their tape loop compositions. The team of DJ Food and Pete Williams fill the performance space with 'out of this world' projections and liquid light show - I've seen images from the first event and it really is an immersive visual spectacle with every available surface used. Tickets here.
DJ Food & Pete Williams present the second of their irregular evenings at the Portico Gallery by creating a temporary audio visual space to enjoy. Films, slides, oil projections, food, drink and plenty of seating form the environment to soak up the sights and sounds of Further.
I thoroughly enjoyed working with Miniclick Talks, Curtis James and Stanley James Press on their Spirit Side installation. They took over the basement of an old Regency Town House on Brighton seafront and filled it with examples of spirit photography, and I created an 'otherworldly' soundscape that plays as visitors wander around with torches in the eerie space that used to be the servants quarters. Last night an evening of talks took place from the head of the Anomolistic Psychology Research Unit at Goldsmiths, Prof. Chris French, funeral director Tora Colwill and film maker Vicky Matthews. I performed live before and after the talks and it was great fun 'soundtracking' people's exploration of the space, underscoring their discoveries.
The installation is open until Thursday 17.00 to 19.00.
Here is a creepy video of a 'visitation' in the wine cellar.
An excerpt of a recording I made whilst sheltering under the Narnain Boulders on route to The Cobbler/Ben Arthur in Scotland. We had terrible weather and had to turn back in the end as visibility was so poor.
Photos by Curtis James
Another snippet from my recent trip to Scotland with @oswald808 (who also took these great pictures). We were trying to climb the Cobbler but had to turn back as the weather was pretty bad and visibility was low. This recording is from a huge rock we'd taken shelter under during heavy rain. Also sheltering there were the poshest family ever. It was like being in the middle of a Radio 4 drama about hiking. I was also cursing them because they wouldn't shut up! So I didn't get any recordings of the heavy rain. #fieldrecording #scotland #hiking #thecobbler #rain #drips #drops
A few snippets of some longer recordings I made in Dungeness at the weekend. The landscape is quite strange and there is a sense of entering in to a different dimension as you pass the Army firing range and glimpse the nuclear power station in the distance. These recordings, made using contact microphones, are suitably otherworldly and will no doubt be used within my sound design and music work. I'm looking forward to spending more time in the Dungeness area as there are so many sound gathering opportunities.
I recently spent a week wild camping in Scotland with my brother Curtis (who also took some lovely photos). I was keen to gather some Ambisonic recordings and find out if I could hack the outdoor life. I've never really been a fan of camping as I'm a bit too used to my home comforts, but the lure of potential new sounds to record was strong enough, and it turned out to be an enjoyable, if not completely successful trip because we had a fair amount of wet weather which made recording difficult and sometimes impossible. I'd initially planned on getting lots of Ambisonic recordings (even if my brother did think I was mad to carry such an amount of gear in my pack), but I think I ended up preferring the recordings I made with the simple stereo spaced pair setup. I also got a recording of the wind howling through a fence near a remote mountain Bothy we stayed at one night. I used a pair of JRF contact microphones, which record the physical vibrations of an object rather than sound waves moving through the air like a traditional microphone. I love contact mics as they always surprise in the hidden sounds they uncover.
I think I'm hooked on wild camping now too!
Listen below. Headphones recommended.
The effectiveness of H+H’s Horror Channel rebrand can be boiled down to the following components: 1) A series of 12 stylish, boldly subtle IDs that favor a sense of unease over traditional scare tactics. 2) An extreme minimalist on-screen graphics package driven by frightening red clouds that spread across the screen like a nightmare. And 3) a thrumming, painstakingly crafted soundscape by sound designer Simon James that was made possible because, unlike most channels, Horror does not carry a continuity voiceover.
“One of the great things about this project was having the space to do what we wanted with the audio,” (Richard) Holman said, “because sound is so important in enhancing the mood of the uncanny and unnerving.”
The Akiha Den Den soundtrack album is now available. Really pleased with the work Nick Taylor has done on the design and packaging. Big thanks to Colin at Castles in Space Records for releasing this odd selection of music and sound design. I was devastated by the loss of a close friend whilst working on Akiha Den Den, and the project gave me the perfect place to escape to.
Back in January I completed the sound design for a series of 10 second branding idents, directed by Chris Turner, for the Horror Channel. I'm excited to say that they have now launched, so tune in to see/hear them. Sound wise they are a mix of electronic sound design and foley (thanks to Sue Harding for the fire advice) and I had a lot of fun conjuring up suitably dark sounds on the Buchla Electric Music Box and Oberheim OB-6, of which the latter features heavily in this production.
I had the pleasure of recording on the East coast of Scotland last week for a project for Salesforce Trailhead. I used the brilliant Sennheiser Ambeo microphone, which records 4 channels and allows for post processing in to various stereo microphone configurations, binaural and most versions of surround. Whilst the technique has been around since the '70s, it has gained in popularity in the VR world recently as the positioning can be linked to head movement within a virtual reality environment. It is one of the only microphone systems that records vertical as well as horizontal, and captures a truly immersive sound space.
Below is an excerpt of a longer recording I made in the rock pools near Dunnottar Castle. (you can just make me out in the image below) The microphone was placed so that water was bubbling and moving all around it and lapping against the rocks. This version is encoded in to the binaural format, which requires headphones to fully appreciate the 'surround' effect.
What is so exciting about this recording technique, is the amount of flexibility once back in the studio. If I wanted to, I could choose to encode this same recording in any number of stereo mic configurations (and directions) or full surround. I'm seriously considering creating some library collections and I'm already planning another trip to Scotland to spend an extended period recording on the West coast.
This July I'll be joining a group of like minded electronic sound experimenters in an immersive night of music in a cold war nuclear bunker in Essex, just off the M25, as part of Alan Gubby's Delaware Road music/theatre/fiction project. The star of the evening is undoubtedly the setting; the dusty, eerie tunnels that lead to rooms filled with (thankfully) unused armageddon paraphernalia and the odd mannequin here and there. A fully equipped BBC studio is one of the many oddities that you'll discover wandering around this tomb of false hope and desperation.
Kelvedon Hatch is a chilling time capsule of how the other half might have lived after a nuclear war; where the government, or what was left of it, would try to rebuild and start again.
I doubt they could have imagined the place as a venue to mind expanding electronic music and visuals courtesy of Ian Helliwell, Howlround, DJ Food, Teleplasmiste, Concretism and others, but that is exactly what is happening on Friday 28th July. Tickets (including a an optional bus service) are selling quickly, so don't hang around.
I'll be there conjuring outer dimensional oscillations, spirit invoking modulations and frequencies to welcome all beings with warmth; exploring the sounds that come from deep inner space as they vibrate around the subterranean and spread to the remotest reaches of outer space. From pulsing strobed rhythms and incantation arousing sequences to glacial tone shards and shapeshifting drones; the vast range of the Buchla Electric Music Box will be shared in a 3hr exploratory performance. Here's a little taster....
I use a modular synthesiser called the Buchla 200e Electric Music Box. It crops up in nearly every project I work on and is an endless source of inspiration. Its inventor Don Buchla, whilst a synthesiser pioneer just like the better known Bob Moog, chose a more experimental approach to his designs, preferring to discard traditional interfaces like the common white and black keyboard, and instead creating touch sensitive input panels with layouts that better suited the human anatomy.
This recording uses the 266e Source of Uncertainty module to drive a self generating composition. Pulses and modulation are randomly generated and control the rhythm, pitch and timbre of a single oscillator with the results being very musical. I could just leave this patch alone and it would play endlessly, but I'm making subtle changes to various settings to interact with the machine music. The original idea for this particular patch came from Todd Barton, Buchla expert and inspiration source for many synthesiser explorers.
There is one last element to this recording, the Ciat-Lombarde Cocoquantus - which is a cosmic looping machine from another dimension. More about that another time!
A piece of music from the 'techno thriller' radio drama series Blood Culture, which topped the iTunes podcast charts in its opening weekend, knocking stalwarts The Archers off the top spot. (update - and is now nominated for a Radio Academy Award)
This particular piece of music underscores a scene from episode 5, and so I can't say too much about what is going on for risk of spoilers, but I can say that it involves violence, a cattle prod and emotional revelations.
Episode 2 of Blood Culture will be available in two parts soon. As well as music throughout, I also sound designed and mixed this episode.
Find out more about the series, including how to subscribe, here.
Love Bite: Laurie Lipton and her disturbing black and white drawings gets its television premiere tonight on Sky Arts at 10.45 (repeated May 1st at 1.15am). A great opportunity to watch this very personal portrait of a brilliant creative being, and to discover what drives her to make her extremely detailed art.