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Simon James

Sound artist
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Featured
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May 26, 2026
PLI
May 26, 2026
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May 26, 2026
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April 14, 2026
Beyond the Spider (Listening to Houses Together)
April 14, 2026
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April 14, 2026
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April 14, 2026
Prada Touch
April 14, 2026
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April 14, 2026
Sonic Migration - Listening to the Green Huts
November 7, 2025
Sonic Migration - Listening to the Green Huts
November 7, 2025

A collaboration with young artists from Lewes Priory and Seaford Head Schools, in partnership with Archaeology South East, UCL, Writing Our Legacy and The Lewes Green Huts Project. Connecting architecture, landscape and colonial legacy through listening.

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November 7, 2025
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November 6, 2025
Available Light - Morgan Quaintance
November 6, 2025
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November 6, 2025
Listening Journal May - July 2025 - Near an Anxious Hum
November 4, 2025
Listening Journal May - July 2025 - Near an Anxious Hum
November 4, 2025

I’ve fallen a bit behind sharing extracts but these are some things I heard earlier this year.

In my studio I notice the radiator is gurgling like a churning stomach. As I listen more closely I discern three distinct layers of sound.

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November 4, 2025
July 24, 2025
Why Listening?
July 24, 2025
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July 24, 2025
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May 17, 2025
Neolithic Cannibals wins Sound of the Year award
May 17, 2025
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May 17, 2025
Recording the fence - Images by Curtis James
Recording the fence - Images by Curtis James
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Abyssinia Bothy Sound

September 22, 2017

I recently spent a week wild camping in Scotland with my brother Curtis (who also took some lovely photos). I was keen to gather some Ambisonic recordings and find out if I could hack the outdoor life. I've never really been a fan of camping as I'm a bit too used to my home comforts, but the lure of potential new sounds to record was strong enough, and it turned out to be an enjoyable, if not completely successful trip because we had a fair amount of wet weather which made recording difficult and sometimes impossible. I'd initially planned on getting lots of Ambisonic recordings (even if my brother did think I was mad to carry such an amount of gear in my pack), but I think I ended up preferring the recordings I made with the simple stereo spaced pair setup. I also got a recording of the wind howling through a fence near a remote mountain Bothy we stayed at one night. I used a pair of JRF contact microphones, which record the physical vibrations of an object rather than sound waves moving through the air like a traditional microphone. I love contact mics as they always surprise in the hidden sounds they uncover. 

I think I'm hooked on wild camping now too!

Listen below. Headphones recommended. 

Scotland Bothy wind through metal fence
Tags: field recording, ambisonic, contact microphones, Scotland, Camping, Curtis, Hiking, soundscape
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